We are thrilled to welcome Dr. Kellie Jones to celebrate the publication of her eagerly awaited book on David Hammons.

The first anthology of texts on the luminary contemporary artist David Hammons.

David Hammons is a collection of essays on the one of the most important living Black artists of our time, David Hammons (b. 1943). Documenting five decades of visual practice from 1982 to the present, the book features contributions from scholars, artists, and cultural workers, and includes numerous images of the artist and his work that are not widely available. Contributions include essays from cultural critics including Guy Trebay and Greg Tate; artists Coco Fusco and Glenn Ligon; and scholars such as Robert Farris Thompson, Alex Alberro, and Manthia Diawara.

A star of the West Coast Black Arts Movement in the 1960s and the winner of a Prix de Rome prize as well as a MacArthur Fellowship, David Hammons rose to fame in Los Angeles with his body prints, in which he used his entire body as a printing plate. His later work engaged with materials that he found in urban environments—from greasy brown paper bags, discarded hair from barber shops, and empty bottles of cheap wine—which he turned into things of wonder while also commenting on a country’s neglect of its citizens. In this volume, a new generation of scholars, Tobias Wofford, Abbe Schriber, and Sampada Aranke, broaden the theoretical mapping of Hammons’s career and its impact, challenging viewers to imagine, in the words of Aranke, “how to see like Hammons.”

Kellie Jones is Hans Hofmann Professor of Modern Art in the Departments of Art History & Archaeology and African American & African Diaspora Studies at Columbia University. A member of the American Academy of Arts and Sciences (Boston) and the American Philosophical Society (Philadelphia), she was named a MacArthur Foundation Fellow in 2016.

Dr. Jones’s writings have appeared in a multitude of exhibition catalogues and journals.  She is the author of EyeMinded: Living and Writing Contemporary Art and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (2017).

Dr. Jones has also worked as a curator for over four decades and has numerous major national and international exhibitions to her credit.  Her exhibition “Now Dig This! Art and Black Los Angeles, 1960-1980,” at the Hammer Museum, Los Angeles, was named one of the best exhibitions of 2011 and 2012 by Artforum, and best thematic show nationally by the International Association of Art Critics (AICA). She was co-curator of “Witness: Art and Civil Rights in the 1960s” (Brooklyn Museum), named one the best exhibitions of 2014 by Artforum.